Lily & Madeleine - Lily & Madeleine
My first
contact with Lily & Madeleine was their short and sweet Tiny Desk Concert
for NPR. Their instrumentation was pretty minimalistic and after the first few
words, I knew why. Those lovely vocal harmonies don´t really need anything more
than themselves. After the three songs they played, Amazon was the place to go
and get what I had to own. Gladly their self-titled debut doesn´t disappoint
one bit. But there is one thing that distinguishes the performance which I have
come to love from their approach on their recording.
I guess for
the most musicians it is pretty natural: You play a blend of modern vocal
centered folk music, so what you need to add for variation is different
instrumentation. The sisters Lily and Madeleine Jurkiewicz followed this thought
for their debut record or maybe, they were advised to do so. What you get is mostly the same blend of two honey
sweet voices singing songs about love, relationship and even abstract matters backed by piano and guitar with
occasional drums, cello and bass added to the mixture. For many this might be
great, and the original formula might come off as something redundant, not even
worth listening to for over five tracks. But this is where not just the
formulaic quality but the depth and power of these elements must be taken into
account: The voices singing these songs with heartfelt lyrics packed with
metaphors are just perfect on their own and things added to this mixture risk a
fine balance ushered by the mindset of two young musicians speaking their
heart. That it not to say that the instrumentation when differing from keys and
guitar throws the songs off or worsens them, but it feels like this could have
been a much more stripped debut album with all the charm coming from the
knowledge of musicians starting a long and hopefully lasting career.
But still,
what you get is beautiful puristic music. “Sounds Like Somewhere” kicks off on the right
mood of a certain kind of loss and nostalgia, taking the listener to the evoked
imaginary places. If one thing, the opener just begs you to go out for a walk,
in the rain, sun or snow and complement the mental movement with some actual one.
Following track “Devil We Know” might serve as the best example of the duo elevating
much of their contemporaries and showing that they should not be categorized as a
mere pop act or bar musicians talking about their everyday life. “And the flowers will forgive your anger and your barking” sounds
like something Maynard James Keenan could have written and yet two angels
deliver these words to you. But not everything around them is melancholy with an down
tempo stricken gaze; tracks like “Nothing But Time” and especially “I´ve Got
Freedom” have an airy, Sunday morning sunshine feeling and showcase something
much more uplifting. And with every song and every repeated spin, the thing
that becomes apparent is the vocal ability of the two sisters which makes this experience lasting. When blending together, the fine nuances of
each one still shine through and at times they will form a perfect synchronised entity to get under your skin. Not in any other way should lyrics such as “How can
it be that nothings yours and nothings mine” like on “Paradise” be delivered
and short moments of these short songs like this might just stick with you
forever.
Overall
these 42 minutes are sure to sway the listener looking for something to dream on. The
vocals and the imaginary let you get a notion of what it might mean to be
detached and yet amalgamated with someone or your surroundings. What the two Jurkiewicz
sisters deliver on their debut stands out for its honesty and clarity and the
only thing that might let you have to notion of repetition are the varied
instruments, not unfitting but seeming added for the sake of having them
around. I would like to hear what Lily & Madeleine are up to next and
especially hope to catch them live in the setup like the Tiny Desk Concert: Two
musicians blending together their voices and instruments and thus letting your
imagination become entranced by small poetry set in motion.
7/10
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