TranscendNoise

30. The Winter Passing – A Different Space Of Mind The dynamic of duo vocals, a female and a male voice, is a known in emo bands. The Winter Passing also have that trait running in favor of their place in this genre: The rougher male vocals, the also punky, but more tender female vocals. Nonetheless, the way the band is able to utilize this dynamic, not only trading verses or having a song lean on the one more than on the other, is drawing you in. Take “Flowerpot” for example: The tender vocals deliver the chorus, but do not work against the tortured male part, delivering maybe an uplifting moment, and work as two parts of the same. A Different Space Of Mind can be read as a fight with the troubles of adolescence, more often than not the lingering question of purpose in life. This also, is very emo, but doesn´t grow old, especially as the interplay of The Winter Passing is not in any way lax or lo-fi, escaping any associations of being aimless and full of negativity altoget...

30. Container – Remover ( LP ) Container´s short LP bore some of the best electronic tunes of this year. While the mind-shattering “Eject” is an unforgettable introduction to gutbumping noise, Remover blends these elements even better. The deep bass is carried by a wide array of percussion, remaining constant throughout with Container adding and subtracting looping elements and effects into little islands of noise. The great thing here is that Container never breaks away from something that is more danceable than experimental, more likely to get the crowd dancing and jumping around rather than distracted or confused about the evolution of the song. Slam dance and riot! 29. Years&Years – Take Shelter ( Communion ) Years&Years were a huge find for me this year and only after pestering all my friend I found out that they were having quite some sucess in the radio. Rightfully so, because with singles like Take Shelter, the bands delivers music that is so fi...