TranscendNoise

50. Pray For Sound – Waves / Mono – Nowhere Here Now Post-Rock carried me through my teenage years and will always stand as a genre of contemplative sounds, dramatic crescendos and mirroring experiences of nature of emotion in (mostly) instrumental sounds made by a band flowing together into a holistic entity. In recent years, many bands changed it up, have taken their sounds into more electronics realms, started to experiment with vocals more. Even Mono made the choice of letting their bass player Tamaki come to the forefront and deliver breathy vocals to their usual blend of tender destruction. Gladly for Mono, this move served as a welcome addition to their incredible body of work. Pray for Sound seemingly discontinue the progression of the genre, the need to reinvent to stay relevant or avoid a creative misfire of repetition by sticking to their guns, taking instrumental music and fleshing out the sound and interplay as a band. Waves as a listening experience is full of nost...

30. Ólafur Arnalds – Particles ( Island Songs ) Ólafur Arnalds isn´t one for vocal collaboration, at least these instances don´t make any entry on his album and remain mostly in the range of working with choirs. For his Islands Songs compilation, he got together with Of Monsters And Men singer Nanna Bryndís Hilmarsdóttir and this track is one of the most goose-bump inducing moments of this year. Arnalds arrangements of tiny melodies and little hints over a solid framework of piano, the rising strings for emotional impact over the chorus of the song, create the perfect synergy with Nanna´s voice. Her lyrics provide a mythical openness for interpretation and her few words create evocative imaginary, especially when she sets for the peak of the song, her exhaustion expressed in the words can be felt. 29. Jace – Midas Feat. Robb Banks ( Jace Tape ) Why this track was the bonus track of the Jace Tape is beyond me. This one caught me off-guard after a good listen, solid l...