TranscendNoise

5 0. Vacant Gardens – Under The Bloom / Obscene Re-released in 2022 after flying under my radar in both 2020 and 2021, Vacant Garden’s provided two albums of delightful shoegaze / dream pop. The last time a band sounded this ethereal as the greats such as Cocteau Twins or Slowdive, must have been Asobi Seksu. Vacant Gardens pull together the sweet mixtures of fuzz, gloom, and vocal transcendence. There is rainy melancholy in the guitar hazes, counteracted by flourishes of powerful chords, arpeggios, and gentle strumming, all coming together in the float of Jem Fanvu’s ethereal vocals. Atmospheric density does not need to be inventive as such, it just needs to be well made and full of intricacy. Seldom do albums capture the yearnings of youth I encountered when first making contact with shoegaze. While nowadays most find the best conflation of dream pop and shoegaze in Beach House and their synthetic rhythms and uplifting haze, Vacant Gardens deliver a proof of concept in striking gre...

30. Caroline Polachek – PANG Polachek's first album under her full name and without the guise of another project or approach shares parallels with Charli XCX self-titled Charli released this year. This doesn´t only apply for both artists choosing the futuristic PC Music production team to exponentially grow the instrumental side of their music but in their attempt of going for the heart of pop experienced in their own voices. Polachek released two more experimental or left-leaning albums, notable her first 2014 album Arcadia as Ramona Lisa, trying to put her voice in all its effortless baroque abilities to the front and ultimately bordering from airy to incredibly vapid art-pop. On PANG the best elements of her vocal abilities grow together with her sensibility for sweet pop about love and heartbreak, elements that made the best Chairlift tracks lustrous or would come to the forefront when lending her voice to artists like Blood Orange. Opposite to Charli , PANG is an as...