TranscendNoise

20. Oneohtrix Point Never – Garden Of Delete Toying with Oneohtrix Point Never and his conceptual ideas is great: Garden Of Delete is his reoccurrence of youth, the revenge of a kid, not cool enough to be grunge. His own Jeremy, “Ezra” is not the story of shooting up schools, it´s about a acne ridden kid. Garden Of Delete as a whole is the guitar wielding dream of Daniel Lopatin, the wish of becoming like the great bands of the 90´s, shredding away their pain. But dude only knows his electronics, his weird sounds and warped processed voices and has to make do with what he can. So you´ll hear the weirdest and roughest of Oneo´s digital clash yet, like puberty, not knowing where to go and what to do, your face melting constantly. 19. Battles – La Di Da Di La Di Da Di is pure energy. A band playing math-rock with such an intensity and sense of progression over crazy starts and stops, you´ll never catch a hint of strain in the twists and turns of their music. ...

20. World´s End Girlfriend –  Whims of A Spring Day「春日狂想」feat. BOOL ( Voices Of  Days Past ) Poemcore is the name of the genre BOOL is trying to establish. I can´t say for sure what it is that distinguishes Poemcore for other spoken word enterprises, but if I had to pick, I´d say it must be the deep weaving of sound to create a texture beyond the words. On the tracks Whims of A Spring Day the words and sounds are heartbreakingly beautiful. World´s End Girlfriend contributes a quite conservative instrumental, keeping the electronic glitches on a low and letting the piano and strings take the lead. BOOL`s poem touches on keeping on living after a loved one has died. First, stating that there is no other way than killing oneself, he transgresses into the notion of having the urge to serve after this tragedy has befallen you. Feeling the springday, its little details and having a chance encounter with a random aquataince, BOOL resorts into telling that the way to go on must ...