TranscendNoise

Abul Mogard – Circular Forms Abul Mogard follows his latest stride into the real. Read my review of his previous EP here . Circular Forms sees Mogard releasing his debut LP. Those who have been following the work of this retired factory worker turned artist might never had the feeling of having anything short of a real album. This album even clocks in shorter than some of his previous efforts, but there is undeniable progression and change in Mogard´s discography and this is yet another grand iteration of forward-thinking synth music.  The best way to describe this LP is to set it apart from his first ever, self-titled work. As in Abul Mogard the motivation was to recreate the sounds he was missing, namely of his time working in a factory most likely around loud machinery, progressing within his musical venture, the urge to sooth his own mind by longing for the past has vanished. Circular Forms is not in any way the endeavor of a fretful man trying to recreate a cer...

Roy Wood$ – Exis As hype of The Weeknd´s newest effort is on its high point, I figured it would be nice to shed some light on the newest protégé of Drake, Roy Woods (stylized as Wood$). With good reason, because in Woods first effort Exis , you´ll find everything you might be missing on Beauty Behind The Madness , I definitely feel this way. There is this certain kind of murky blend of r´n´b that made The Weeknd translate into the experience or second-hand fiction of life as a lost twenty-something – between lust, frustration, loads of substances and a creative drive being fueled and destroyed by all those things. However, it would not bring Woods any justice to just put him into the line of Weeknd imitators. The similarities in sound are pretty much obvious. While there might not be a grand darkness and haze as on House of Balloons , Exis relies heavily on deep atmospheric beats and the ambiance the whole OVO imprint, fathered by Drake, are known for. But Woods doesn´...